Sharing the format of its two predecessors - Tubular Bells and Hergest Ridge, Oldfield stays loyal to his conceptual roots in Ommadawn, but incorporates musical styles from a far greater range of influences including folk, Celtic, and middle eastern sounds. As a result, Oldfield channels greater scope for musical development, defining Ommadawn as a creative peak in Oldfield's wide-ranging career. Here the atmospheric sound of Ommadawn is as it was intended to be heard, on crackling, analogue 12" vinyl.
Composing for traditional Celtic instruments such as the uilleann pipes, Oldfield uses Ommadawn as an outlet for spiritual investigation as much as expert musicianship. A master of songcraft, Oldfield layers guitars, pipes, drums and vocals to create a masterpiece pumped full of ethereal mysticism and described by one critic as "the musical equivalent of astral projection". Says Oldfield "I do not feel I am musician. I don't know... I create sounds, that are reflections of my emotions."